{"id":544,"date":"2007-01-05T10:32:05","date_gmt":"2007-01-05T07:32:05","guid":{"rendered":"http:\/\/www.clausmoser.com\/?p=544"},"modified":"2007-01-05T10:32:05","modified_gmt":"2007-01-05T07:32:05","slug":"the-drachenfels","status":"publish","type":"post","link":"http:\/\/clausmoser.de\/blog\/2007\/01\/05\/the-drachenfels\/","title":{"rendered":"The Drachenfels"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/farm1.static.flickr.com\/144\/345345249_1d39cd1912_m.jpg\" alt=\"Drachenfels\" \/><br \/>\n<font size=1>Drachenfels-Rhein- Aquatinta,altcol. London. R.Ackermann,um 1820, <a href=\"http:\/\/www.polygraphicum.de\/druckgraphikD1.html\">via.<\/a><\/font><\/p>\n<p>Rhein-Romantik aus dem georgianischen England:<\/p>\n<blockquote><p>Farewell, proud cliff! From Cologne&#8217;s gothic door<br \/>\nSlowly emerging o&#8217;er her boundless plain,<br \/>\nOr bounded but by thee, my eyes once more<br \/>\nTo catch one parting glimpse of thee I strain:<br \/>\nIt may be long ere thou and I again<br \/>\nShall be acquainted. If there be a spell<br \/>\nIn fancy&#8217;s store; if memory hold her reign,<br \/>\nOn thee, in all its power, that charm shall dwell,<br \/>\nLord of seven subject hills, high Drachenfels, farewell!<!--more--><\/p>\n<p>Not that a mightier master of the rhyme,<br \/>\nWrapt by thy beauties, linger&#8217;d on his way,<br \/>\nStruck but one chord, and to all future time<br \/>\nHallow&#8217;d those beauties with his passing lay.<br \/>\nIt is not that the Rhine&#8217;s broad waters strayBeneath thy height to reach the distant sea;<br \/>\nNor many a wild tale of thy earlier day,<br \/>\nHow dear soe&#8217;er those tales to me;<br \/>\n&#8218;Tis not for these I pour my parting strain to thee.<\/p>\n<p>But when my spirit, dull and stagnant now,<br \/>\nWas buoyant as the stream which sweeps thy strand,<br \/>\nIn rapture gazing on thy giant brow,<br \/>\nOn yon opposing shore I took my stand;<br \/>\nAnd there, with wavering line, and trembling hand,<br \/>\nFirst I essay&#8217;d fair Nature&#8217;s forms to trace;<br \/>\nThy fortress in its undisturb&#8217;d command,<br \/>\nThe precipice, the mountain&#8217;s sweeping grace,<br \/>\nThe rock, the vine, the copse low feathering to thy base.<\/p>\n<p>Improvements come too slow, but change too fast;<br \/>\nMy skill is what it was, but not as then<br \/>\nI gaze upon the wrecks of ages past,<br \/>\nThe works of nature, or the haunts of men;<br \/>\nThe mouldering gateway, or the mountain glen,<br \/>\nWere rapture to me. Such if now I prize,<br \/>\n&#8218;Tis that they were so. If I seize the pen,<br \/>\nTo consecrate the feeling ere it dies,<br \/>\n&#8218;Tis memory&#8217;s power alone can bid that feeling rise.<\/p>\n<p>And would that memory&#8217;s power could do no more!<br \/>\nWould there were nought to mingle with and spoil<br \/>\nThe embalmed sweets of recollection&#8217;s store!<br \/>\nBut suns which vivify the vernal soil,<br \/>\nBid, too, the adder in his brake uncoil.<br \/>\nUnchanging nature&#8217;s charms make us compare<br \/>\nThe brow deep furrow&#8217;d by the world&#8217;s long toil<br \/>\nWith her unwrinkled front \u2014 the hues of care<br \/>\nWith her fresh glories \u2014 all we are, with all we were.<\/p>\n<p><em>&#8211; Francis Egerton<\/em><\/p><\/blockquote>\n<p><a href=\"http:\/\/198.82.142.160\/spenser\/TextRecord.php?action=GET&#038;textsid=36710\">Nur eines<\/a> von vielen Fundst\u00fccken aus der herrlichen Website <a href=\"http:\/\/englishpoetry.org\/\">Spenser and Tradition: English Poetry 1579 &#8211; 1830<\/a>:<\/p>\n<blockquote><p>The 25,000 records in this largely full-text database follow developments in English poetry from the publication of the Shepheardes Calender in 1579 down to Spenser&#8217;s successors among the nineteenth-century romantics. The archive presents poets as readers \u2014 imitators and emulators, critics and biographers \u2014 engaged with literary traditions that were complex, dynamic, and embedded in social institutions.<\/p><\/blockquote>\n<p>(<a href=\"http:\/\/del.icio.us\/bibliparis4\">Via.<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drachenfels-Rhein- Aquatinta,altcol. London. R.Ackermann,um 1820, via. Rhein-Romantik aus dem georgianischen England: Farewell, proud cliff! From Cologne&#8217;s gothic door Slowly emerging o&#8217;er her boundless plain, Or bounded but by thee, my eyes once more To catch one parting glimpse of thee I strain: It may be long ere thou and I again Shall be acquainted. If [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-544","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/posts\/544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":0,"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/posts\/544\/revisions"}],"wp:attachment":[{"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/media?parent=544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/categories?post=544"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/clausmoser.de\/blog\/wp-json\/wp\/v2\/tags?post=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}